Now, we delve into the art of wearing male Hanfu, exploring the nuances of putting it on, the cultural significance of Hanfu for men, and the distinctive features that make the male version a captivating expression of tradition and elegance. Following the tradition of wearing new clothes for the Chinese New Year, hanfu – or traditional Chinese attire – experienced a remarkable resurgence in popularity during the recent festive season. The male Hanfu stands as a testament to the diversity and inclusivity inherent in traditional Chinese attire. Specialty boutiques and skilled tailors dedicated to traditional Chinese attire are ideal sources for authentic male Hanfu. The perception of Hanfu as a female-centric attire is a modern construct. Men, inspired by historical aesthetics and a sense of cultural pride, are increasingly adopting Hanfu as a way to express their identity in a modern context. Combining classical elegance with modern simplicity, the horse face skirt is said to perfectly cater for the contemporary aesthetic and lifestyle of young people, propelling it to become a fashion icon this year.
A Chinese lady dresses elegantly in a horse face skirt. During the Spring Festival holiday, many performers in Luoyang city in Central China’s Henan province, showcased the beautiful horse face skirts in festive performances, with many visitors alike donning graceful hanfu, including the horse face skirts. Start by donning the Ru, a cross-collar shirt with long, flowing sleeves. While maintaining the flowing lines characteristic of Hanfu, the male ensemble often features straighter cuts, broader shoulders, and a sense of structured elegance. One of the classic styles of male Hanfu is the Pienfu, a two-piece ensemble consisting of a cross-collared top and a wraparound skirt-like bottom. Finish the ensemble by wearing the Ku, traditional pants that complement the overall aesthetic. Wearing Hanfu is not just a fashion choice; it is an expression of cultural appreciation and a connection to China’s rich heritage. The unique construction of the Ru sets the tone for the entire ensemble, emphasizing the elegance and symmetry that characterize Hanfu fashion. Historically, Hanfu was worn by both men and women, and the contemporary revival seeks to reclaim this inclusive tradition, inviting men to rediscover and redefine their own style through the elegance of Hanfu.
These embellishments add a touch of individuality to the ensemble, allowing men to express their unique style within the framework of Hanfu tradition. Producing since 2018 and already gaining a 4.9 star rating on Taobao, this wonderful indie brand is perfect for those looking to add pieces to their daily collection unlike any other. The loose fit of the Ku allows for ease of movement, enhancing the wearer’s comfort while maintaining the timeless elegance of Hanfu fashion. The Qixiong skirt is secured with discreet transparent straps, offering comfort without compromising the garment’s classic lines. Shenyi: Combining a tunic and skirt into one piece, the Shenyi is a symbolic design representing the unity of the universe. This beautiful design will enhance your feminine beauty effortlessly. From the simplicity and elegance of the Wei and Jin Dynasties to the elegance and splendor of the Tang Dynasty, and from the elegance of the Song Dynasty to the beauty of the Ming Dynasty, China has a long history. They want to wear something according to their own traditions, outside consolidated Western beauty standards.
While in cities, children started to wear Western style clothing, the children in the rural areas continued to wear the traditional shanku which were made of cotton checked fabrics, stripe fabrics, or other patterned fabrics. In the resplendent folds of a man’s Hanfu, tradition and elegance converge to redefine masculine style. The male Hanfu, like its female counterpart, consists of several layers, each contributing to the overall aesthetic. An old lady, once an opera actress, loves to wear Chinese traditional clothing Hanfu, and her favorite Hanfu styles are from the Ming and Song dynasties. According to old sayings, these perfume pouches were made to commemorate Qu Yuan: when Qu Yuan drowned himself in the Miluo River, people living in the neighbouring Qin made and carried pouches stuffed with sweet grass and perfumed which was loved by Qu Yuan out of sympathy for the poet and to cherish his memory. 103 When used by the ancient Chinese literati, the concept of pifa zuoren became a phrase, which held the symbolic of foreign people who were living a barbarous and civilized lifestyle; this concept also became a way to emphasize the customs differences between the Han people and other ethnic minorities and draw the line to distinguish who were considered as civilized and barbarians.
