Aoqun is actually a two-piece Hanfu suit, Ao is the topcoat, Qun is the bottom skirt, and in the Ming Dynasty, short qipao one of the most popular skirts was called the horse-faced skirt. Han women wore both two-piece dresses and long robes, and there were various styles of skirts, with the most famous being the 留仙裙 (liú xiān qún). The main types of clothing during the Han Dynasty included robes, straight single-layered garments (shenyi), short jackets (ru), and skirts. This change was particularly evident in clothing design, where traditional Chinese clothing began to use more three-dimensional cutting, and Western patterns and new style garments were created to fit the body shape. The Zhongshan Zhuang (or Zhongshan suit) was designed by Dr. Sun Yat-sen (Sun Zhongshan) on the basis of Western costumes, Japanese student uniform, and traditional Chinese clothing, mens traditional chinese clothing with a four front-pocket and standing flap lapel garment. Curved hem, popular during the Warring States period, was still used in the early Western Han Dynasty but became less common during the Eastern Han.
During the Qin and Han periods, curved hem clothing was not only worn by men but also the most common style for women. After the strict governance of the Qin Dynasty, Liu Bang, who rose to power from a common background, aimed to give the people a break and did not make significant changes to the general systems, including the clothing system, which largely followed the Qin Dynasty. Traditionally made from silk or satin, these luxurious materials drape gracefully over the body and give a soft, lustrous sheen. During the Ming Dynasty (1368-1644), according to the government’s policy of physiocracy and restriction of business, businessmen were forbidden to wear silk clothing, even if they were rich. Qing Dynasty – 1630 A.D. Paofu (or Chang Pao, long robe) in the Qing dynasty were preferred to be embroidered with a variety of colors and patterns in their design. Now, the modern Feiyu costume even uses a variety of totems, which is one of the most handsome and wildly attractive traditional Chinese costumes among the men’s Hanfu.
I’m not going to go into as much detail as the previous article since my goal is to go through them all quickly and teach you the differences between them, but I’ll be including some brief details on their name, history, construction, and features so that you can better understand the huge variety of skirts in hanfu. In actual history, there are over hundreds of different styles of traditional Chinese Hanfu, but many of them only appeared at certain brief times and in small regions or were inherited from the classic Hanfu style mentioned above with only minor modifications. As one of the most recognized symbol of Chinese fashion and history, the Chinese Hanfu is making a comeback in modern society. This cultural phoenix’s rise in the 21st century is more than a fashion statement; it’s a blend of heritage and aesthetic, of old-world charm and contemporary sensibility. I like it. I think it’s a great mix of practicality and style, and I really like the hanfu collar you put on it.
This is the most basic kind of skirt that you’ll get, and it’s the kind that most people start out with-unisex, easy to put on, and very intuitive. Every time it goes through a new historical period, it can retain its own unique design, but also learn the advantages of other clothing systems, take the essence and remove the dross, and constantly optimize and update itself, thus developing a large number of styles that are suitable for the public and loved by people. The major significance of Liling is that it introduced the button to the Hanfu system for the first time. The ruling class at this time was the Manchu ethnic group, and most hanfu patterns were once banned in order to promote Manchu culture. It thus adopted certain Manchu elements, such as slimming their changshan, adopting the pianjin collar of the Manchu, and using buttons and loops at the neck and sides. Tang Suit (or Tang Zhuang), is based on the Chinese traditional Magua vest, adding a stand-up collar and Western-style 3D cutting, designed with vintage totems prints or embroidery, Tang suit already belongs to modern clothing, not a classic traditional Chinese clothing, the shape is almost the same as the modern shirt, the biggest difference is that it still using the cloth knot buttons.
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