Men’s Hanfu typically featured straight-cut robes and round collars, while women’s attire became more intricate, emphasizing the female form through tailored blouses and flowing skirts. Careful friends can also see that many murals have palace maids wearing round collared robes. The western study was used by the family for study, meals, and entertaining friends. While Western wedding dress tends to be white in colour, Chinese traditional wedding clothing favours the use of red and gold colour. Besides the yamen and the inner quarters, the complex also contains an eastern and a western study as well as a back garden. The eastern study was used by the Duke of Yansheng to meet official guests and worship his ancestors. Originally a study for the duke, the rear five rooms (Chinese: 後五間; pinyin: Hòuwǔ Jiān) become a quarter for the maids of the residence during the late Qing dynasty. After the Han Dynasty there was the Qing Dynasty and that’s when Qipao and Changshan became popular. In the late 1910s, after the overthrow of the Qing dynasty and the founding of the Republic of China, women began to partake in the education system. In 1377, the mansion was relocated and rebuilt under orders of the first emperor of the Ming dynasty.
During the Ming Dynasty, Confucian codes and ideals were popularized and it had a significant effect on clothing. Within this overall arrangement, the spatial distribution of the buildings according to the seniority, gender, and status of their inhabitants reflects the Confucian principle of order and hierarchy: The most senior descendant of Confucius took up residence in the central of the three main buildings; his younger brother occupied the Yi Gun hall to the east. The Jurchens in the Jin dynasty and Mongols in the Yuan dynasty continued to patronize and support the Confucian Duke Yansheng. Traditional Japanese fashion represents a long-standing history of traditional culture, encompassing colour palettes developed in the Heian period, silhouettes adopted from Tang dynasty clothing and cultural traditions, motifs taken from Japanese culture, nature and traditional literature, the use of types of silk for some clothing, and styles of wearing a primarily fully-developed by the end of the Edo period. Compared with Tang Hanfu clothing, the skirt of Song Hanfu is narrower and has more pleats.
Emperor Xuanzu of Song wearing tongtianguanfu with a crimson bixi. The first mansion for the Kong family of the Duke Yansheng was built in 1038 during the Song dynasty. Paintings of women wearing daxiushan (大袖衫) during the Tang dynasty. Beyond its aesthetic appeal, wearing light blue Hanfu is an opportunity to immerse oneself in a cultural journey. Portrait of Shi Wenying wearing a fur surcoat. The mansion houses an archive with about 60,000 documents related to the life in the mansion over a period of 400 years during the Ming and Qing dynasties. The damaged portions of the mansion were rebuilt two years later; the cost of both these 19th-century renovations was covered by the emperor. Finally, the kimono is put on, with the left side covering the right, tied in place with one or two koshihimo and smoothed over with a datejime belt. One significant influence is the growing interest among Chinese youth in reconnecting with their cultural roots. White hanfu is one of the most classic and elegant dresses for women. The yuanlingpao is an article of formal attire primarily worn by men, although in certain dynasties, such as the Tang dynasty, it was also fashionable for women to wear.
Liberating themselves from past constraints, women have grasped a decision-making power to wear what pleases them. Our collection of modern Hanfu dresses, robes, and accessory sets will have you feeling like royalty, chinese clothing traditional evoking memories of ancient chinese scholar officials and elegant imperial court life during the golden age of the Ming Dynasty. This gate (Chinese: 內宅門; pinyin: Nèizhái Mén) dates to the Ming dynasty. Traditional Ming dynasty hanfu robes given by the Ming emperors to the Chinese noble Dukes Yansheng, descended from Confucius, are still preserved in the Confucius Mansion after over five centuries. Today, chinese traditional clothing cheongsam the mansion is a museum and part of the UNESCO World Heritage Site “Temple and Cemetery of Confucius and the Kong Family Mansion in Qufu”. The Great Hall (Chinese: 大堂; pinyin: Dà Táng) was the site of the duke’s official business and the place for the proclamation of imperial edicts. The painting was placed at the exit from the inner apartments to the administrative portion to warn the members of the Kong family against greed in their business dealings outside.
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